A furniture line for people the industry ignores.
Slide
- Research Assistant
- Five pieces
- Two rounds at Famsa Colón

The brief.
- The distinction
A master's study for a furniture line for the small homes most Mexicans actually live in: three coffee tables and two desks. It was never produced or sold. The brief was not a room. It was the shortage of room.
The work ran from discovery to launch plan: market sizing, two-axis segmentation, a named persona, surveys and focus groups, forty need statements taken to shoppers, three rejected concepts, a fourth built from the rejection, a second test round, freedom-to-operate research, an intellectual-property strategy and a business model canvas.
The distinction.
Small-space furniture was not new. In Europe people live small because land is expensive, while their income can still buy well-made furniture. In Mexico seventy percent of the population lived on an income that put them in social housing, and that same income put good furniture out of reach. Same square meters, opposite wallets. A European solution does not transfer.
The objective was a line that, in an overpopulated environment, cared about the person, the individual and their value as a person.
The method.
- Users killed all three
Venture Opportunity Screening and Quicklook sized the opportunity. Personas followed Alan Cooper. Human Centered Design came from IDEO. Don Norman's visceral, behavioral and reflective frame connected emotion to product decisions. Surveys, interviews and focus groups got close to the consumer rather than confirming a drawing.
The Mexican wood-furniture industrial base was 97.88% small or micro. That market of workshops, not factories, was a constraint on the design. Economic segmentation crossed with life stage, then became a person: Martha Solís, defined by purchasing reach rather than taste.
Users killed all three.
The focus group said price was the first priority. The survey said people barely cared about price. Quality outranked everything, multifunctional furniture was valued because it saved space, and the living room was where the household lived.
Roughly forty need statements went to fifteen shoppers at Famsa Colón. Then Matrioska, Wall.ter and Break! were tested there. The mechanisms bred distrust and the aesthetics felt too futuristic. The numbers looked fine on paper. I threw all three concepts away because they were not measuring what decided the purchase.
Delete the mechanism.
- One cut, repeated
- What it became
Slide resolves space with no hinges, rails or catches. Pieces mutate from one arrangement to another simply by sliding. No hinge, rail or catch, nothing to learn and nothing to break.
PTFE was specified for its extremely low friction. Coated steel sheets sit in the sliding joints, and only the required areas are coated, making the line manufacturable by micro-workshops. A freedom-to-operate search found nothing on PTFE in furniture, so the study recommended a ten-year utility model for the material's application rather than a design patent. No application was filed.
One cut, repeated.
The redesigned line returned to Famsa Colón and worked. Users said it solved their space problems and called the sliding innovative. Their remaining criticism was that the contemporary line lacked a distinctive signature.
The answer was one angular cut repeated across the line at no additional manufacturing cost. Five products used black and white boxes and L-shapes with a lime element that slides through them. The color marks the part allowed to move.
What it became.
The report ended with a proposed plan: register the business, file for the utility model, contact retailers, begin production, with a Business Model Canvas attached. None of it was carried out; it remained a study.
The Cadillac prize funded the master's degree. When the scholarship dropped from full to ninety percent, I joined the Cátedra de Diseño e Innovación en Ingeniería to close the gap. The award financed the degree. The shortfall financed the method.
- 01When user evidence contradicts a promising concept, kill the concept.
- 02Treat the manufacturing base as part of the brief, not a production footnote.
- 03A repeatable structural cue can build a product family without adding cost.










